He spends seven years studying in Europe earning a doctorate. He names the narrator the guardian of his two young sons. The narrator returns from his studies in England to his remote little village in Sudan, to begin his career as an educator. Mustafa shrugs off the incident, saying that the poetry was only drunken ranting and the narrator should not make too much of it. The stranger is Mustafa Sa'eed. Yes, yes, take away my pompous English major honors. He had missed the closeness of tribal life during his stay in Europe.
When Mustafa walks by, Mahjoub pressures him to sit and drink with the men although it is clear Mustafa does not want to. Season is a complexly structured narrative whose powerful details of life in the Sudan and England emphasize the characters' intense violent struggles with themselves and their societies. Leaping up, I stood above the man and shouted at him: what¡¦s this you¡¦re saying? Why is Mustafa elevated to such mystical proportions and what does all the sensuality and frank sex have to do with anything — its literary people. The unnamed narrator returns to his hometown, Wad Hamid, a small village near the Nile in northern Sudan, after studying in British poetry in London for seven years. He wishes to expound further on this, but restrains himself because he believes the villagers are not intelligent enough to take his point.
¡¨ This quotation evokes the idea of colonization in relation to Mustafa Sa¡¦eed. The next morning, Wad Rayyes inquires how the narrator's visit went. He is considered a major Arab novelist of his time. I was the pirate sailor and Jean Morris the shore of destruction. He reveals that Mustafa Sa'eed disappeared during a flood. He is glad to be back, but the village has changed since he left--most importantly, there is a new arrival, a mysterious middle-aged man named Mustafa Sa'eed.
Underdeveloped, you brand me, inferior, that is the way you have forced me to see myself, I detest the image! Mustafa is a member of the Committee, and demonstrates great charisma when he solves a disagreement about villagers allocating more water to their crops than they have been allotted. Attacking her body was the only way to assert his dominance over her, and in doing so he followed in the footsteps of every colonizer. After this account of the story concludes, the reader learns that Mustafa has died during a flood. Now I am making a decision. He sees a group of soldiers who are on the way to arrest a tribal woman who murdered her husband.
The author Tayeb Salih grew up in the Sudan and was educated in England. He disappears mysteriously in a flood. In the end, this passivity plays an indispensable role in the fulfillment of Mustafa Sa'eed's dark destiny, the violent dénouement of this novel in which sexual violence is the at times gruesome, excessive metaphor for the clash between colonizers and the cultures they dominate, shape, and ultimately destroy. She reveals to him that Hosna's father beat her until she agreed to marry Wad Rayyes. The climax here comes when Mustafa's widow is forced into an unwanted marriage and violence ensues, in a parallel to Mustafa's own fate. I waver somewhere between its potential and its flawed actuality. But ultimately, to me it always comes down to the world the text creates and not what a clever scholar can make it say.
In the China, it is the second-best selling outdoor product, just behind the Columbia. The narrator replies that Europeans are the same as the villagers in every meaningful way. The narrator reflects that as he grew up, he witnessed the shift from water wheels to water pumps, which changed the shape of the river, drying it up in some places and adding water in others. Analysis The opening chapter of serves as a frame for the rest of the story. The book ends with the narrator dejected and contemplating suicide, but he instead decides to devote the remainder of his life to his friends and his responsibilities. He wins them, mistreats them, and ultimately leads them to their deaths, just as colonizers did to the women of his culture.
Season of Migration to the North is complex, in its framing, in its episodic style, in its use of metaphor, and in the variety of material it canvasses. She lies dead on the floor also, with a knife in her heart and many bite marks all over her body. Mustafa is a mystery to the narrator. In relation to characterization, violent language early on highlights the emotional detachment that Sa¡¦eed has while also setting the stage for the introduction of Mustafa Sa¡¦eed¡¦s more predatory side. The man had been gone for seven years. He spends seven years studying in Europe earning a doctorate.
He instead leaves the village for Khartoum, and a month later learns that Hosna is dead. When we begin to learn about Sa'eed, he appears to represent a negative, dark rendition of this experience, the foil of the optimistic, benevolent narrator. And yes, after reading the story, novella really, I had to go back and read the intro so I could fill in the blanks and apply the significance of the work I had just read. This fits in with the colonial history that occurred in that particular time period whereby Africa was colonised by England. The conclusion, however, does forgive a world of transgressions because finally the narrative becomes comfortable with itself.
Mustafa Sa'eed says that if the narrator swears he will tell no one, he will reveal his life story. We learn more about his relationship with Jean Morris, who took pleasure in humiliating Mustafa and destroying his possessions. Throughout the novel sex is linked to violence and especially in the Sudanese village of Wad Hamid the two are sometimes confused. The point being, it was a battle that was always waged over and through female bodies. Therefore, when Mustafa seeks a way to get back at the society that subjugated him and forever cast him as an outsider, he inevitably tries to do so using the women of the society. The man had appeared in the village five years earlier and married one of the local girls.
Furthermore, colonization also has different social and cultural effects on colonized societies. Bint Majzoub supports the practice, because she believes it makes women work harder to please their husbands. He is consumed by grief and anger, and goes to Mustafa Sa'eed's house, opening the private room that has remained locked since Mustafa Sa'eed's death. This section is the section that shows Mustafaís weakness, which is not seen anywhere else in the novel. This narrative documentary film essentially led to generic conventions that documentaries then developed over decades Fisher 13 September , despite its portrayal of its subjects as spectacle. Summary After seven years of studying in Europe, the unnamed narrator has returned to his hometown, Wad Hamid, a small village near the Nile in Sudan. The relationship between text and meaning is so fraught with complication yes, throwing some Deconstruction in there for good measure that the baffled reader is left feeling, frankly, quite stupid for not having risen to the same heights as the narrative which long ago has left the reader empty and gasping in the dust of a stunning, yet failed, attempt.