Mercutio has no idea that Romeo has just fallen in love with Juliet. He is then banished rather than executed because the killing was provoked. It turns out that the have spread word of the street fight, and arrives before anyone is killed. At this time courtly love and the sonnet form of poem was very popular. So even as he veers between styles and forms, Shakespeare does ensure that Romeo and Juliet a tragic story. A recurring trend in Shakespeare's plays is the existence of a witty fool and many foolish wits. She is depicted as an innocent 13-year-old child when the play begins, guided entirely by her mother and her nurse.
He acts as a significant character in terms of plot advancement; but more importantly, himself is a fascinating man in many aspects. There are a few motifs in Romeo and Juliet that reveal this intention. This device was hardly new to Shakespeare, and in fact mirrors the structure of Arthur Brooke's The Tragical History of Romeus and Juliet, from which Shakespeare adapted Romeo and Juliet. However, Romeo stands apart from the other men in Act 1. There is evidence to show that Mercutio values his friendship with Romeo a lot. When she is with Romeo she is loyal, witty, loving and strong. Most important is the idea that an individual or individuals is or are defeated by forces beyond his or her control; tragedies most often celebrate human willpower in the face of bad luck or divine antagonism.
He thinks Romeo has insulted and mocked his family by disguising himself to gatecrash their ball. Mercutio seems to exist outside the two dominant spheres of Verona because he takes neither the world of love nor the feud seriously. Furthermore, one of his greatest creations, as well as most memorable character, lies within the pages of this tale. Mercutio is the Prince's kinsman, but more importantly, he is Romeo's friend and confidant. She is from a rich background. The family asks Benvolio where Romeo is, and he tells them that the boy has been in a strange mood lately. All the attention is drawn to him, he brings out the humor in most situations.
Prick love for pricking, and you beat love down. The invitation to Capulet's party states that he has a brother named Valentine. I was hurt under your arm. The sonnet is a very structured form of poetry, which indicates a level of order. When Benvolio asks Romeo about the source of his gloom, Romeo explains that he is pining for a woman named Rosaline, who plans to remain chaste for the rest of her life.
The Nurse is intriguing because of her self-deceit. Here Mercutio shows his strength even though he knows he is dying and also shows his sense of humour. Meanwhile, Mercutio is a skeptic, a man who mocks love. This element portrays these characteristics in an obvious manner, as it benefits the reader or audience. People such as Romeo, Friar Laurence, and Capulet are people who are made out to be wise, but,in the end, they make all the wrong decisions.
Out on the streets, Peter runs into Romeo and Benvolio, who are talking about Rosaline. This demonstrates how Mercutio is a strong image of all that is childlike and cheerful in this play. Only after the suicides will the families decide to end their feud. Mercutio, with his ice-cold hand, the lion among maidens, chooses above all things a defiant liberty of speech, gaily at war with the proprieties, an airy freedom of fancy, a careless and masterful courage in dealing with life, as though it were a matter of slight importance. In fact, English poet John Dryden said that Shakespeare himself admitted that he had to kill Mercutio—or else, he said, Mercutio would have killed him.
When Romeo complains about the heartache of his unrequited love for Rosaline, Mercutio tells him to get over it already: If love be rough with you, be rough with love. Shakespeare is giving a glimpse of a thirteen year old girl Juliet living in the Sixteenth century. Romeo feels sparks of desire for Juliet before they even speak, reinforcing the young man's quick passions. At first glance, the speech and the preceding scene paint Mercutio as a colorful, sexually-minded fellow, who prefers transient lust over committed love. Romeo then compounds the problem by placing his own feelings of anger over any concerns for Juliet by killing Tybalt. Whilst this conforms to our expectations of Mercutio, who seems to fear nothing, we could interpret this self-importance as a necessary tactic to help protect his reputation and high status by avoiding a loss of public face.
When arrives, he clumsily attempts suicide. Mercutio is not part of the Montague family, he is however a friend of 's and related to the Prince of Verona. He is a close friend to and a blood relative to and. Often prudent, he commands respect and propriety, but he is liable to fly into a rage when either is lacking. Romeo and Juliet begins with a Chorus, which establishes the plot and tone of the play. In addition, the Chorus also introduces certain sources of dramatic tension that re-appear throughout the rest of the play. The two lovers thought their love would conquer all and that it would somehow be strong enough to survive the legacy of the families' long-standing feud.
With this in mind, one might be tempted to ask what might happen had Mercutio not been killed by Tybalt. This fight scene shows Mercutio, Romeo's friend, killed. And for those of you who do not know, Mercutio is murdered in Act 3, Scene 1 in a fight with Tybalt more on that later. The two renowned hotheads start to fight. The effects he has on the other characters and the audience are that they laugh and their mood get a new life.
For instance, we learn in Act 1 that Benvolio is a pacifist, while Tybalt is hot-headed. Although Mercutio is a sort of tough guy, his goal is to keep peace between the families. Mercutio thinks Tybalt is a fool and ridicules him when he arrives to duel Romeo. Mercutio's Death Later on in the play, Tybalt, who is Juliet's cousin, challenges Romeo to a duel to the death. Lesson Summary Mercutio was a loyal best friend to the death.